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    Yusa
    Tumi Music

    By: Ben Ohmart
    Oct 6, 2002

    Artist: Yusa (www.yusa.co.uk)
    Title: Yusa
    Label: Tumi Music (www.tumimusic.com)

    She was born in the Buena Vista district of what today is Playa; she grew up in modern Alamar, a community of east Havana. Yusa began with the guitar, and continued on with piano and bass as well. Along the way she developed a sultry diva's voice that is quite hypnotizing if you allow yourself a good 56 minutes worth, which this debut cd just happens to provide.

    To me, there's nothing better than 'A las doce' with its Very jazzy sax in a co-starring role. The coolness of the seemingly haphazard arrangements blend in comfortably with Yusa's steamy steerage of this 5 minute meltdown. It's just a beautiful piece of music, especially the last minute, before and after the backing vocal crew screech to life*

    But to digress, the album begins with a simple acoustic guitar and that loving Yusa voice, soon picked up by shakers and an overdub or backing vocals, showing those deep Cuban roots that keep growing. The words, translated, go 'Oh, I don't know how to get rid of / This blow inside / When I look at the night it ends / And you fasten yourself to the centre / Bury the events / Because stones will grow in the road.'

    1. Tomando El Centro
    2. A Los Doce
    3. La Fabula
    4. Tienta Paredes
    5. Cuestion De Angulo
    6. La Partida
    7. La Numero 2
    8. Mares De Inocencia
    9. Todo O Casi Nada
    10. Cancion En Cuna Para Freya
    11. En Todas Las Esquinas
    12. Involucion
    13. Momentos
    14. Chiquichaca
    15. Flash

    All but #12 where written by this talented young lady. To call the music sophisticated is necessary. She's worked hard to capture these lilting refrains full of spirit and spiritualism. While I don't speak the language of 'Tienta Paredes' I can still say that the music itself is soulful, voice close to the microphone, and very accessible to today's US market.

    Yusa trained at the Amadeo Roldan Conservatory where she met Roberto Carcasses who now arranges many of these songs. A superb job is done on them - no two sound alike, and it's rather impossible to guess any formulas that Yusa is using in fitting these personal songs together. She's a poet, and a player, and it's just nice to see an album handled well enough to accentuate these simple gifts.

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